By Rudyard Kipling, 1886
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Departmental Ditties Summary
'Departmental Ditties' by Rudyard Kipling is a collection of light, satirical poems that offer a humorous glimpse into the lives of British colonial officials in India during the late 19th century. The poems focus on the quirks, ambitions, and social dynamics of the colonial bureaucracy, often highlighting their absurdities and moral failings. Written early in Kipling's career, these witty verses reflect his sharp observational skills and playful approach to the themes of power, duty, and colonial life. The collection was well-received and marked the beginning of Kipling's literary fame.
Departmental Ditties Excerpt
DEPARTMENTAL DITTIES
I have eaten your bread and salt,
I have drunk your water and wine,
The deaths ye died I have watched beside,
And the lives that ye led were mine.
Was there aught that I did not share
In vigil or toil or ease,
One joy or woe that I did not know,
Dear hearts across the seas?
I have written the tale of our life
For a sheltered people's mirth,
In jesting guise but ye are wise,
And ye know what the jest is worth.
GENERAL SUMMARY
We are very slightly changed
From the semi-apes who ranged
India's prehistoric clay;
Whoso drew the longest bow,
Ran his brother down, you know,
As we run men down today.
"Dowb," the first of all his race,
Met the Mammoth face to face
On the lake or in the cave,
Stole the steadiest canoe,
Ate the quarry others slew,
Died and took the finest grave.
When they scratched the reindeer-bone
Someone made the sketch his own,
Filched it from the artist then,
Even in those early days,
Won a simple Viceroy's praise
Through the toil of other men.
Ere they hewed the Sphinx's visage
Favoritism governed kissage,
Even as it does in this age.
Who shall doubt the secret hid
Under Cheops' pyramid
Was that the contractor did
Cheops out of several millions?
Or that Joseph's sudden rise
To Comptroller of Supplies
Was a fraud of monstrous size
On King Pharoah's swart Civilians?
Thus, the artless songs I sing
Do not deal with anything
New or never said before.
As it was in the beginning,
Is today official sinning,
And shall be forevermore.
ARMY HEADQUARTERS
Old is the song that I sing
Old as my unpaid bills
Old as the chicken that kitmutgars bring
Men at dak-bungalows old as the Hills.
Ahasuerus Jenkins of the "Operatic Own"
Was dowered with a tenor voice of super-Santley tone.
His views on equitation were, perhaps, a trifle queer;
He had no seat worth mentioning, but oh! he had an ear.
He clubbed his wretched company a dozen times a day,
He used to quit his charger in a parabolic way,
His method of saluting was the joy of all beholders,
But Ahasuerus Jenkins had a head upon his shoulders.
He took two months to Simla when the year was at the spring,
And underneath the deodars eternally did sing.
He warbled like a bulbul, but particularly at
Cornelia Agrippina who was musical and fat.
She controlled a humble husband, who, in turn, controlled a Dept.,
Where Cornelia Agrippina's human singing-birds were kept
From April to October on a plump retaining fee,
Supplied, of course, per mensem, by the Indian Treasury.
Cornelia used to sing with him, and Jenkins used to play;
He praised unblushingly her notes, for he was false as they:
So when the winds of April turned the budding roses brown,
Cornelia told her husband: "Tom, you mustn't send him down."
They haled him from his regiment which didn't much regret him;
They found for him an office-stool, and on that stool they set him,
To play with maps and catalogues three idle hours a day,
And draw his plump retaining fee which means his double pay.
Now, ever after dinner, when the coffeecups are brought,
Ahasuerus waileth o'er the grand pianoforte;
And, thanks to fair Cornelia, his fame hath waxen great,
And Ahasuerus Jenkins is a power in the State.
